Feminism, Art, Geekery, and Red Pandas. I'm an illustrator, but I usually don't post my own work here. My portfolio site (and real blog): http://kathleenmanderfield.com
look who’s finally joined!
look who got pushed to the side
SO OVER IT, DISNEY.
GET ON MY BUTT!
Topshop currently has a brand new selection of super-scivvies! Topshop has been known to release lingerie and sleepwear featuring DC Comics characters, such as Batgirl, Wonder Woman, and Supergirl over the past couple of years (as seen here), and this year is no exception. Bonus: They’ve added She-Ra to the roster of heroic undies this years!
For more details, check out the links below!
Girls Rule pair. Need you.
The Nu Project’s Nude Photos Tell The Truth About Women’s Bodies
The Nu Project is a no-glamor honest look at beauty and image in our world.
Female nudity isn’t hard to come by in the media, but the bodies we see usually represent a fairly limited scope of sizes and shapes. The Nu Project, a collection of nude photographs shot by Minneapolis photographer Matt Blum, seeks to add some variety to the mix. Blum started The Nu Project in 2005 but said it really took off when his wife, Katy Kessler, became the project’s editor. Blum sees the photos as filling a void. “When I started shooting nudes there was no project like it,” he told The Huffington Post in an email. The things that I had seen either used models with typical model bodies or average people who were made to look extremely unimpressive. I figured there was a way to treat women (of any size/shape) like models and photograph them beautifully, respectfully without a lot of sexual under or overtones. The women photographed are all volunteers, and most of the pictures are taken in the subjects’ homes — where they feel most comfortable. The Nu Project’s website showcases six galleries of nudes, three shot in North America, three in South America. Although Blum told HuffPost that he feels that they have a “good variety of people involved,” he and Kessler acknowledge on The Nu Project website that they’d love for the subjects to be more diverse. “The hardest part for us is that the project is 100 percent volunteer, so I do not see the women until I show up at their door,” Blum writes on the website. “We’re doing our best to encourage all types of women, but we need volunteers of all backgrounds and walks of life to make the project more complete.” Blum said he ultimately hopes that these images inspire the women who see them to feel better about their own bodies. “It’s been really exciting to hear people react to the images,” he told HuffPost. “We get a lot of feedback from women (especially) who have struggled to see themselves as beautiful, and this project has helped them on that path.”
I’ve reblogged this before, but it’s worth it to reblog again. So beautiful.
Alexander Archipenko, Walking Woman, 1937, terracotta. The Ringling Museum of Art
A popular star willing to talk about gender inequity, as Beyoncé has, is depressingly rare. But Freeman insists flashes of underboob and feminist critique don’t mix. Petersen concurs, calling the thigh-baring, lace-meets-leather outfit Beyoncé wore during her Super Bowl XLVII halftime show an “outfit that basically taught my lesson on the way that the male gaze objectifies and fetishizes the otherwise powerful female body.” A commenter on Jezebel summed up the charge: “That’s pretty much the Beyoncé contradiction right there. Lip service for female fans, fan service for the guys.”
These appraisals are perplexing amid a wave of feminist ideology rooted in the idea that women own their bodies. It is the feminism of SlutWalk, the anti-rape movement that proclaims a skimpy skirt does not equal a desire for male attention or sexual availability. Why, then, are cultural critics like Freeman and Petersen convinced that when Beyoncé pops a leather-clad pelvis on stage, it is solely for the benefit of men? Why do others think her acknowledgment of how patriarchy influences our understanding of what’s sexy is mere “lip service”?
Dr. Sarah Jackson, a race and media scholar at Boston’s Northeastern University, says, “The idea that Beyoncé being sexy is only her performing for male viewers assumes that embracing sexuality isn’t also for women.” Jackson adds that the criticism also ignores “the limited choices available to women in the entertainment industry and the limited ways Beyoncé is allowed to express her sexuality, because of her gender and her race.”
Her confounding mainstream persona, Jackson points out, is one key to the entertainer’s success as a black artist. “You don’t see black versions of Lady Gaga crossing over to the extent that Beyoncé has or reaching her levels of success. Black artists rarely have the same privilege of not conforming to dominant image expectations.”
Solange, Beyoncé’s sister, who has gone for a natural-haired, boho, less sexified approach to her music, remains a niche artist, as do Erykah Badu, Janelle Monáe, and Shingai Shoniwa of the Noisettes, like so many black female artists before them. Grace Jones, Joan Armatrading, Tracy Chapman, Meshell Ndegeocello—talented all, but quirky black girls, especially androgynous ones, don’t sell pop music, perform at the Super Bowl, or get starring roles in Hollywood films.
Men still have trouble recognizing that a woman can be complex, can have ambition, good looks, sexuality, erudition, and common sense. A woman can have all those facets, and yet men, in literature and in drama, seem to need to simplify women, to polarize us as either the whore or the angel.
Queen Natalie Dormer, ladies and gentlemen
Yay! She’s smart, too!
One of my customers at work recently looked a lot like her and I probably made her uncomfortable with my staring.